Best-selling author Rick Riordan presents a brilliant sci-fi romp with Cuban influence by Carlos Hernandez, winner of the 2020 Pura Belpré Award. What would you do if you had the power to reach through time and space and retrieve anything you want, including your mother, who is no longer living (in this universe, anyway)? When Sal Vidon meets Gabi Real for the first time, it isn't under the best of circumstances. Sal is in the principal's office for the third time in three days, and it's still the first week of school. Gabi, student council president and editor of the school paper, is there to support her friend Yasmany, who just picked a fight with Sal. She is determined to prove that somehow, Sal planted a raw chicken in Yasmany's locker, even though nobody saw him do it and the bloody poultry has since mysteriously disappeared. Sal prides himself on being an excellent magician, but for this sleight of hand, he relied on a talent no one would guess . . . except maybe Gabi, whose sharp eyes never miss a trick. When Gabi learns that he's capable of conjuring things much bigger than a chicken--including his dead mother--and she takes it all in stride, Sal knows that she is someone he can work with. There's only one slight problem: their manipulation of time and space could put the entire universe at risk. A sassy entropy sweeper, a documentary about wedgies, a principal who wears a Venetian bauta mask, and heaping platefuls of Cuban food are just some of the delights that await in his mind-blowing novel gift-wrapped in love and laughter.
Fry bread is food.It is warm and delicious, piled high on a plate. Fry bread is time.It brings families together for meals and new memories. Fry bread is nation.It might look or taste different, but it is still shared by many, from coast to coast and beyond. Fry bread is us.It is a celebration of old and new, traditional and modern, similarity and difference.Fry Bread is a story told in lively and powerful verse by Seminole Nation member Kevin Noble Maillard, with vibrant art from Pura Belpre Award winner Juana Martinez-Neal.
When Regina's Umpqua tribe is legally terminated and her family must relocate from Oregon to Los Angeles, she goes on a quest to understand her identity as an Indian despite being so far from home. Regina Petit's family has always been Umpqua, and living on the Grand Ronde Tribe's reservation is all ten-year-old Regina has ever known. Her biggest worry is that Sasquatch may actually exist out in the forest. But when the federal government enacts a law that says Regina's tribe no longer exists, Regina becomes "Indian no more" overnight--even though she lives with her tribe and practices tribal customs, and even though her ancestors were Indian for countless generations. Now that they've been forced from their homeland, Regina's father signs the family up for the federal Indian Relocation Program and moves them to Los Angeles. Regina finds a whole new world in her neighborhood on 58th Place. She's never met kids of other races, and they've never met a real Indian. For the first time in her life, Regina comes face to face with the viciousness of racism, personally and toward her new friends. Meanwhile, her father believes that if he works hard, their family will be treated just like white Americans. But it's not that easy. It's 1957 during the Civil Rights era, and the family struggles without their tribal community and land. At least Regina has her grandmother, Chich, and her stories. At least they are all together. In this moving middle-grade novel drawing upon Umpqua author Charlene Willing McManis's own tribal history, Regina must find out: Who is Regina Petit? Is she Indian, American, or both? And will she and her family ever be okay?
A Newbery Honor Book Winner of the Correta Scott King - John Steptoe for New Talent Author Award A Morris Award Finalist An NPR Favorite Book of 2019 A School Library Journal Best Middle Grade Book of 2019 A Kirkus Reviews Best Middle Grade Book of 2019 This deeply sensitive and powerful debut novel tells the story of a thirteen-year-old who must overcome internalized racism and a verbally abusive family to finally learn to love herself. There are ninety-six things Genesis hates about herself. She knows the exact number because she keeps a list. Like #95: Because her skin is so dark, people call her charcoal and eggplant--even her own family. And #61: Because her family is always being put out of their house, belongings laid out on the sidewalk for the world to see. When your dad is a gambling addict and loses the rent money every month, eviction is a regular occurrence. What's not so regular is that this time they all don't have a place to crash, so Genesis and her mom have to stay with her grandma. It's not that Genesis doesn't like her grandma, but she and Mom always fight--Grandma haranguing Mom to leave Dad, that she should have gone back to school, that if she'd married a lighter skinned man none of this would be happening, and on and on and on. But things aren't all bad. Genesis actually likes her new school; she's made a couple friends, her choir teacher says she has real talent, and she even encourages Genesis to join the talent show. But how can Genesis believe anything her teacher says when her dad tells her the exact opposite? How can she stand up in front of all those people with her dark, dark skin knowing even her own family thinks lesser of her because of it? Why, why, why won't the lemon or yogurt or fancy creams lighten her skin like they're supposed to? And when Genesis reaches #100 on the list of things she hates about herself, will she continue on, or can she find the strength to begin again?
An encounter with a pheasant (which may or may not be sleeping) takes a surprising turn in this sweetly serious and funny story of a Native American boy and his grandma "Pull over, Grandma! Hurry!" Johnny says. Grandma does, and Johnny runs to show her what he spotted near the ditch: a sleeping pheasant. What Grandma sees is a small feathery hump. When Johnny wants to take it home, Grandma tries to tell him that the pheasant might have been hit by a car. But maybe she could use the feathers for her craftwork? So home with Grandma and Johnny the pheasant goes . . . It's hard to say who is most surprised by what happens next--Grandma, Johnny, or the pheasant. But no one will be more delighted than the reader at this lesson about patience and kindness and respect for nature, imparted by Grandma's gentle humor, Johnny's happy hooting, and all the quiet wisdom found in Cheryl Minnema's stories of Native life and Julie Flett's remarkably evocative and beautiful illustrations.
"Brown is a warm and powerful story of friendship and courage, full of creativity and everyday magic."--From the jury statement, Nordic Council Children's and Young People's Literature Prize Guided by his grandfather's ghost, two cans of paint, and a little help from his friends, Brown can do anything! Just as long as nobody's parents find out. Brown is the fantastical first book in the award-winning My Alter Ego Is A Superhero series from Norway, Brown has been sold into twenty-seven languages and is illustrated throughout by the now-familiar and beloved Øyvind Torseter. New in the neighborhood and hounded by fort-wrecking bullies, Rusty is looking glum. And to top it all off, his grandfather has just died. Rusty is stuck sorting out his emotions while the adults are busy sorting out the "practicalities" with the hospital. But one dark night, after watching a superhero movie on TV, Rusty gets an idea... Dressed in brown pants, a black-and-brown striped shirt, a brown mask and cape, and his mother's brown belt, the superhero BROWN is born! Guided by his grandfather's ghost, two cans of paint, and a little help from his friends, Brown can do anything! Just as long as nobody's parents find out. Øyvind Torseter is a Norwegian artist and illustrator who has created eight books on his own and several with other authors. He's received numerous awards for his books, including aBologna Ragazzi Award and theNorwegian Book Art Prize. In 2014, Øyvind was a finalist for the prestigiousHans Christian Andersen Award. Other titles withEnchanted Lion Books include:My Father's Arms Are a Boat, The Hole, Why Dogs Have Wet Noses, The Heartless Troll and others.
Rear Windowmeets Wes Anderson meets Richard Scarry in this fun picture book follow-up to Bus! Stop! In this very young picture book mystery, a little boy out for a walk with his family stops to show a building doorman his new "bot"- "I have a bot!" Only he doesn't have it for long, because it floats up out of his hands like an escaped balloon. "Stop! Bot!" Springing to action, the kind doorman runs up to each floor of the building to try and catch it -- along with the help of each floor's resident. But while everything looks normal at first, every floor (and resident) is a little more wacky and unusual than the last! Musicians, baseball players, zoo animals, and finally a very large monkey all play a part -- but will they rescue the Bot before it's too late?! Children will love all the funny details in this very playful picture book!
Winner of the Newbery Medal, Coretta Scott King Author Award, and Kirkus Prize for Young Readers' Literature! Perfect for fans of Raina Telgemeier and Gene Luen Yang, New Kid is a timely, honest graphic novel about starting over at a new school where diversity is low and the struggle to fit in is real, from award-winning author-illustrator Jerry Craft. Seventh grader Jordan Banks loves nothing more than drawing cartoons about his life. But instead of sending him to the art school of his dreams, his parents enroll him in a prestigious private school known for its academics, where Jordan is one of the few kids of color in his entire grade. As he makes the daily trip from his Washington Heights apartment to the upscale Riverdale Academy Day School, Jordan soon finds himself torn between two worlds--and not really fitting into either one. Can Jordan learn to navigate his new school culture while keeping his neighborhood friends and staying true to himself? This middle grade graphic novel is an excellent choice for tween readers, including for summer reading. New Kid is a selection of the Schomburg Center's Black Liberation Reading List. Plus don't miss Jerry Craft's Class Act!
Winner of the Michael L. Printz Medal ★"King's narrative concerns are racism, patriarchy, colonialism, white privilege, and the ingrained systems that perpetuate them. . . . [Dig] will speak profoundly to a generation of young people who are waking up to the societal sins of the past and working toward a more equitable future."--Horn Book, starred review "I've never understood white people who can't admit they're white. I mean, white isn't just a color. And maybe that's the problem for them. White is a passport. It's a ticket." Five estranged cousins are lost in a maze of their family's tangled secrets. Their grandparents, former potato farmers Gottfried and Marla Hemmings, managed to trade digging spuds for developing subdivisions and now they sit atop a million-dollar bank account--wealth they've refused to pass on to their adult children or their five teenage grandchildren. "Because we want them to thrive," Marla always says. But for the Hemmings cousins, "thriving" feels a lot like slowly dying of a poison they started taking the moment they were born. As the rot beneath the surface of the Hemmings' white suburban respectability destroys the family from within, the cousins find their ways back to one another, just in time to uncover the terrible cost of maintaining the family name. With her inimitable surrealism, award winner A.S. King exposes how a toxic culture of polite white supremacy tears a family apart and how one determined generation can dig its way out.